tlhIngan-Hol Archive: Thu Jan 27 14:25:49 2005
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Re: bInIvqu'bej
- From: [email protected]
- Subject: Re: bInIvqu'bej
- Date: Thu, 27 Jan 2005 22:25:04 +0000
ghItlh naHQun:
>
>joH'a', QunwI'; jISIvlu'bejqu'taHvIS
>Hoch qo'mey DachenmoHchu' vIqellI'
>Hovmey vIlegh, jevbejwI' wab'a' vIQoy
>lu'aghqu'ba'taH 'u'Daq HoS'a'lIj;
>ngugh qa?wI' bomchoHchu' toDwI'wI'mo'
>bInIv qu'bej bInIvqu'bej
>ngugh qa?wI' bomchoHchu' toDwI'wI'mo'
>bInIvqu'bej bInIvqu'bej
maj; it scans pretty well with the original.
Oddly enough, we were looking at this song
at choir practice last night!
One quibble: it's probably {qa'wIj}; I don't
think one's spirit is considered capable
of speech. Fortunately, it doesn't affect
the meter.
You might consider a replacement for
{ngugh}, too. The song says that you are
moved to sing after your contemplation,
for which I think {ghIq} is more appropriate.
{ghIq} 'then' leads into the consequence
of what came before; {ngugh} 'then' is just
a timestamp.
Sorry, one more: in the second line, it
should be {DachenmoHbogh}; otherwise you
have two main verbs in one sentence.
-- ter'eS